What Color Should My Mother Be?

Final night at the Murphy Writing School in New Smyrna Beach, Florida. The twelve memoir students read in the dance studio what they worked on this week. Throughout the readings of these diverse pieces of writing by diverse writers, I was transported to eras, countries, and life situations to which I had no previous exposure or knowledge. If I did know about them at all, my knowledge was glib and superficial.

These memoirists shared raw, wretched, deep, delicious, hilarious, poignant, wry memories and observations. We spent time in a psychiatric hospital with one writer tonight. When the writer’s husband left her for a 17-year-old girl shortly after the birth of their first baby, she mused that there was only one difference between her and her patients: she had the keys.

A young first-generation Vietnamese told the wrenching story of the long COVID his mother was suffering. She shunned conventional treatment because she followed the orange-headed leader’s claim that bleach would kill the bug and cure the problem.

An older American fellow revealed what he went through to extract a psychiatric evaluation to keep him out of Vietnam when he was drafted. Agemates of his were not as fortunate. One Vietnam veteran casualty was buried close to his family’s plot in their hometown.

A woman of Filipino descent shared her father’s World War II stories. One, in particular, underscored his futile attempt to stop a Japanese pilot friend from committing kamikaze, or, “divine wind.” It appears young Muslim suicide bombers have stepped up to weather the mantle of martyrdom.

Another woman mused tenderly about the inevitability of death for us all and how she wishes to embrace it when the time comes. A woman living with a stroke wrote about constant vacillation between hope and despair with her and others in physical therapy. A woman raging against the physical vagaries of age spoke hilariously on behalf of hundreds of thousands of aging women. In her diatribe, she spoke convincingly about the necessity of undergoing the same sort of renovation for her body as her house had recently been through.

The poetry readings last night and the memoir excerpts tonight had similar impacts: both were powerful and highly humanizing. School director Peter Murphy says, “Yes. This happens every time.” People’s personalities and characters emerge and their issues take shape when they focus on their writing And even more powerfully when their work is witnessed. Murphy continued: “Whether it is a smaller group like ours with under 50 students, he said, or workshops with 200 or more. There is magic in the doing of the writing. It changes you and it changes those who hear or read it.”

That, at the very least, is my dearest hope and ambition. Has the title of the post confused you at all? Well, me too. if I’m honest. I meant to talk about where my mother will likely fit in my life story and how I am going to capture the wealth of events and anecdotes. For a physically slight person, she was fairly imposing and affecting. But why do I have to decide what “color” she will be is TBD – to be decided. A next step in the book writing process.

As I leave this nourishing workshop environment today and head back to “real life,” you’ll just have to hold on to your questions until I fully explain tomorrow. I believe that is called a cliffhanger in LitSpeak.