Tag: Amazon

Sick Stuff

When I was around 5 or 6 years old, I lived in the Sears catalog. I pored through it regularly and marveled at all the stuff on offer.

I remember landing on a pretty little red dress. I still recall it vividly. It was a sheer red fabric dotted with tiny and perfectly symmetrical polka dots. It had a standup collar and short sleeves. There was a long, ribbon-like belt that tied in the back.

I lusted after that dress. Which at six years old was about all I could do. You “normal” people out there might read that and say: “Why didn’t you show it to your parents and ask them to buy it for you?” You would only ask that question if you had a “normal” upbringing. Which I did not.

I now understand the function that clunky Sears catalog played. It was an escape hatch. It was a safe place to hide from the violence and unpredictability between my parents. It helped me imagine a better life than what I was living. One where I had pretty little dresses to wear that would be cleaned, pressed, hung up in my closet and always there. Waiting for me.

The reality I lived in was that there was shit in my ballet costume. I will explain. The parents introduced my sister and I to the normal rites of passage for little girls back in the day. Ballet was one of the biggies. After a year of playing around with ballet moves in a gym at the Y, we would apply all the moves we learned at our annual end of the year recital. Boy did we get excited> excited

In preparation, Mom would take us to a local seamstress to have ballet costumes made. We were measured up and down and across and around. The seamstress would nod sagely and promise my mother a fixed pickup date. I saw the fabrics that would be used to make my ballet costume.

It was to be created out of a stretchy satin fabric and constructed like a bathing suit in a teal-like shade. Green-y-blue (or blue-y green) with alternating layers of green and blue tulle acting as the attached skirt, or tutu.

The straps were a dark green satin ribbon. At the hip, two green leaf shaped appliques were meant to accentuate that a leaf was what I was supposed to be. I nearly fainted it was so beautiful.

Being in a different dance number, my sister had a pretty little white number. It was embellished in blue sequins in two straight lines down either side of her front. White satin straps on her costume. She was a snowflake. That hasn’t changed.

Mom took great pride in spraying our little black ballet slippers silver. I wasn’t ever sure why she did that. Our black slippers seemed fine and the silver an unnecessarily gauche touch. I doubt I was so analytical back then but merely saw the silver slippers as “odd.”

As time went on and the marriage and my parents’ mental health deteriorated, our home environment similarly declined. In around this time period, a new baby sister entered the picture.

She was cute and entertaining. Couldn’t speak right to save her life. As she was learning to speak, my middle sister and I would coach her on the proper pronunciation of words. To no avail. The words would come out garbled. We thought there might be something wrong with her.

One day I started looking for my beautiful ballet dresses to dress up the baby sister. Clothes were not usually hung up or put away in our house. So I headed to the closet, opened the door and started digging through the clothes on the floor. Then I spied it. The strap or tutu or some part of it caught my eye and I pulled it out.

And my nose wrinkled. My beautiful blue-green teal ballet costume reeked. When I looked in the crotch, I saw why. Dried shit. I nearly cried.

I can’t remember now exactly how I responded. Heartsick. Confused. Aghast. How could this happen to something so beautiful? Why was my costume ruined and not someone else’s? Why weren’t my clothes put away? I had no answers.

Turns out that potty training was another victim of my parents’ neglect and addictions. The routine parents put children through to teach them how and when to use a toilet was overlooked for my sister. For quite a long time. It would appear the use of diapers was missing, too. I assume she is potty trained by now. Except her mouth retained the same problem. I only know that, at the time and in memory, I was devastated.

I know how that experience and many others manifested in me as an adult. I am a bit paranoid and hysterical about my “stuff.” I think my relationship to stuff has morphed into an addiction. In an ineffective attempt to control what I have and how much I have and keep it safe, I have gone all together too far the other way.

Amazon replaced the Sears catalog. The wound is so deep I often can’t just buy one quality item, but must buy two or three “just in case.” I am determined that no one will destroy or take my property away from me again, by God! And if they do, I have a replacement. Right here! Somewhere!

That’s turned out to be some pretty dysfunctional and irrational thinking. It hasn’t served me well. Too much stuff. They are only distractions and obstacles to what I rally want. And worse, when I am stressed, my instinct is to shop. Buy something pretty. Make the bad thing go away. Show that I am not as broke as I fear. Spend money! That’ll fix it. Sheesh.

I am on the brink of offloading much of what I accumulated to make me feel safe. Those are the keys words here. Feeling safe. That is a state of mind. It has been hard won for me.

For someone with a trauma history like mine, it was a distorted coping mechanism I am trying to stare down. I don’t feel alone with it. It is a chronic condition for many and the marketing gurus tap into and exploit that vulnerabilty. And are they ever good at that.

I must get good at ignoring them. I also have some work to do to remind myself that “stuff” is not security. Even if you have a million dollars in the bank, if the core wounds aren’t healed, the money won’t matter. I am slowly starting to get that.

But it’s tough. My trauma training started early in life. When it is all you have known in your formative years, it is hard to change tracks. But I must. As I have changed and abandoned other dysfunctional and addictive coping mechanisms – booze, cigarettes, sex, collections.

This road to “perfection” is very long and tiresome. Maybe death is the big graduation party. Who knows? I only know that I have to recommit regularly to deliberately follow a path of peace, harmony and healing.

As my Newfoundland friends are wont to say, life’s a hard pull.

Jeff Brown, Redux

When you’re good, you’re good. I have followed Jeff Brown with equal measures of respect and resonance for some time now. His writing is consistently strong and insightful. His new book, Humanifestations (link below this post), is another marker on his journey to make sense of the human condition.

Brown’s most recent post (below) resonated strongly.

He points out a human tendency to credit exceptional creative output or the deeper insights of talented individuals as “Gifts of the Divine.” He disputes this and calls out the human tendency to hide our light under bushels. I both agree and disagree with him.

Brown argues that if humanity believes the wondrous works exhibited by individuals are based only on external factors, it discourages us from accessing and owning what is inherently great and gifted in ourselves. Without owning it, Brown suggests, humanity will continue to marinate in mediocrity.

Jeff Brown argues – the former lawyer dies hard – that his writing insights and clarity have come from the hard emotional work necessary to overcome a difficult childhood.

Again I agree and disagree with him. I had a hard childhood. I have done a ton of personal “work.” At the same time, I also feel I was given a “gift” for writing. And, yes, sometimes it feels like a Divine “gift.” Sometimes I have written things that I have to read over and over again to fully get what I have written. I cannot fully credit or connect what I have written with “me.”

Dale Estey, a dear author friend, and I have a throughline in our friendship. We often talk about our mutual belief in what we call “invisible hands” that overtakes our writing. We agree we do not always consciously “think up” what we write. How words get put together often feels unbidden. Painters, dancers, and even athletes all speak of this phenomenon, too. Think Flashdance.

Jeff Brown is right. Humans tend to downplay genius when they find intimations of it in themselves. Or credit a “higher power.” Well, I also believe there could be “something else” at work in the creative process.

For the love of god, do not ask me what that something is or ask me to explain it. For the most part, our society is just plain incompetent at handling “the gifted.” A perfect storm of luck and opportunity, and will is needed. It takes a certain social alchemy for a child’s gifts to be recognized early, encouraged, and supported to develop their talent over the long haul.

And it can be a very long haul, fraught with emotional and other landmines. [Read the late Swiss psychologist Alice Miller’s The Drama of the Gifted Child for an analysis of this dilemma.]

I am happy to feature Jeff Brown on my blog again as he triggered one of the biggest issues I have faced in writing. My work or god’s work? Who’s to say? And to what end? Who knows?

All I know is that it is a good thing when coherent messages that promote the value of each human life get pushed out there – over and over again. Because we are human and need to be frequently reminded of that.

Whether humanitarian messages come from “the Divine” or are a distillation of our own hard-won insights that come from processing “hard things” is more or less immaterial to me. Any writing that promotes a greater appreciation for the sanctity of humanity and individuals gets my support – whether it comes from Divine inspiration or inspiration from deep within ourselves.

Take it away, Jeff Brown … Let me know what you think, dear readers. It is a legitimate point of contention for debate and wider discussion. Jeff Brown argues his point brilliantly. Like the genius he is.

“I went through a particularly potent writing phase some years ago. I was writing one clarified quote after another, and immediately sharing them in social media. What I found interesting was that many people would come onto my walls, and remark that I was “channeling.” At first, I imagined this a good thing. As though I had somehow formed a bond with the Divine, and the Divine was using me to bring their m, I arrived at a different perspective. I had worked long and hard, and overcome much, and whatever insights I had arrived at did not come from the beyond. They came from within me, from the heart of my lived experience, from the depths of my story. And then I looked closer at many of the ways that we associate moments of achievement with something beyond ourselves: “Her performance was out of this world”, “He rose above his circumstances and channeled greatness,” “Her genius is heaven sent,” “He has found his DIVINE purpose.” It is as though we are only allowed to own our mediocre achievements. Anything clarified or brilliant or awesome had to come from somewhere beyond our humanness. Little wonder our views of enlightenment and awakening are frequently associated with transcendence. We haven’t been taught that we are the marvel, and that our lived and learned experience is the source of our most profound creations. If we don’t come to get this, if we continue to bury our magnificence below a bushel of judgment, we will continue to look for our greatness outside of ourselves and our species will never actualize its possibilities. Because we really are marvel-us 🙂. Each of us, a living marvel...”