The Nature of Things

There is a pivotal scene at the end of Orson Welles’ cinematic masterpiece, Citizen Kane.

This rich and powerful man has destroyed many people’s lives in pursuing his ruthless ambitions. Now he is on his deathbed.

The only word Citizen Kane utters is, “Rosebud.” SPOILER ALERT: Rosebud is the name of his snow sled. In the scene that follows, we see workmen tossing it into a blast furnace along with a lot of other seemingly useless stuff.

Here we see that on the brink of his impending death, the protagonist Citizen Kane goes back in his mind to the freedom and joy he once had and enjoyed in the simpler time of his childhood.

I, too, had items of deep sentimental value that were my constant companions when I was a child. I clung to them then as children seeking security often do. Much like Linus and his famous blue blanket, my “pinkie blanket” was my constant companion when I was a toddler.

This cuddly soft blanket was a 100% wool Kenworth in a light shade of pink. It had been given as a Christmas present from my paternal grandmother in the year I was born.

There was a darker backstory behind that gift. For reasons known only to her, my grandmother refused to see me when I was taken to visit her shortly after my birth. Who knows why? She was pretty crazy best of times.

My father – the youngest of three boys who came late to fatherhood – was devastated by her rejection. And as terrible sadness often presents in hurt people, Dad was deeply angry.

When a gift box arrived a few days before Christmas, it was all my mother could do to keep Dad from taking it to his mother’s house and throwing it on her front porch.

But he was talked out of it and didn’t. It turned out to be a lucky call. My grandmother dropped dead of a heart attack a few days later on December 23rd in the same year I was born.

Had that gift been angrily rejected and returned, my mother worried Dad would have taken on all of the guilt for causing his mother’s death. As it was, he seemed guilty enough for just breathing the same air as she did.

It is more than a bit ironic, then, that the pinkie blanket became my constant companion and primary source of comfort as I grew a little older. I now wonder how Dad must have felt seeing me drag it around all the time after the drama surrounding its origins.

I had a white toy dog, too, who was very important to me, too. He was most reminiscent of some breed of schnauzer or terrier. He walked forward shakily on his four stiff legs when you pressed a button in his neck. Though the name on the sales tag said, “Knee High,” I called him “Highknee.”

The perceptive and Yiddish speakers among you will note his name is pronounced and so might easily have been spelled “h-e-i-n-i-e.” Which could have been pretty accurate as that is about how tall he was in relation to my backside back then.

After years of upheaval, both Highknee and my pinkie blanket were lost in the mists of many, many moves. Yet, the comfort and companionship and pleasure they afforded me when I most needed them still lingers in the recesses of my childhood memories.

Come to think of it, I have cycled through various artifacts and icons of comfort over time. They varied. I toted around a huge pink elephant with neon bright psychedelic patterned ears a teenage boyfriend gave me until it fell apart.

The same boyfriend gave me a blue and cherry pink reversible satin comforter. It also eventually succumbed to the vagaries of age and a cannibalistic washing machine.

These days, I take comfort from a variety of beautiful things. A sitting Buddha statue sits serenely in my bespoke mango Asian room.

Articles of my children’s clothing from when they were infants and toddlers are socked away in dresser drawers and fawned over occasionally. To be taken out and used again, perhaps, when my children have little ones of their own. If wishes were horses ….

I have a multitude of candles I keep stored away. When I want to bring light and spirit into a room, I bring them out and light them.

Certain artworks I’ve collected evokes special memories. The art has not always come from a place I’ve been to except in my mind’s eye. Still those pieces comfort me by emotional and geographic association.

I treasure a few other special artifacts for the positive memories they bring up, too. But I know I don’t need them. They are luxuries.

I have lived long periods of my life keeping no reminders of my past lives on display around me. The artifacts of my material life was often put in storage, for example, if I was moving around the country for a contract or some other work engagement.

Most of these desirable “things” are “wants” in my life, not “needs.” As if on cue, some material item often comes up or comes back to me when I most need comfort. Not necessarily the same item or in the same form as the original.

But close enough in shape or form to evoke the memories of comfort I needed when I was younger and more vulnerable. Those memories often rise again to comfort me in adulthood.

I have white Kenmore wool blankets now. Highknee has been replaced by a tortoiseshell cat named Nalita.

I am as grateful for the memories of comfort I had in childhood as I was for the items themselves. I am more than grateful for the living breathing things that give me comfort now.

My husband. My friends. My daughter. My cat. My house plants.

If we are lucky, we eventually learn that things – no matter how luxurious or expensive or rare or treasured – are, after all, just things. If we are very lucky, we learn to comfort ourselves in the midst of having nothing material at all.

A Friend Indeed

Thank you, Gary Stairs.

“Piglet?” said Pooh.

“Yes?” said Piglet.

“I’m scared,” said Pooh.

For a moment, there was silence.

“Would you like to talk about it?” asked Piglet, when Pooh didn’t appear to be saying anything further.

“I’m just so scared,” blurted out Pooh.

“So anxious. Because I don’t feel like things are getting any better. If anything, I feel like they might be getting worse.

People are angry, because they’re so scared, and they’re turning on one another, and there seems to be no clear plan out of here, and I worry about my friends and the people I love, and I wish SO much that I could give them all a hug, and oh, Piglet! I am so scared, and I cannot tell you how much I wish it wasn’t so.”

Piglet was thoughtful, as he looked out at the blue of the skies, peeping between the branches of the trees in the Hundred Acre Wood, and listened to his friend.

“I’m here,” he said, simply. “I hear you, Pooh. And I’m here.”

For a moment, Pooh was perplexed.

“But… aren’t you going to tell me not to be so silly? That I should stop getting myself into a state and pull myself together? That it’s hard for everyone right now?”

“No,” said Piglet, quite decisively. “No, I am very much not going to do any of those things.”

“But – ” said Pooh.

“I can’t change the world right now,” continued Piglet. “And I am not going to patronise you with platitudes about how everything will be okay, because I don’t know that.

“What I can do, though, Pooh, is that I can make sure that you know that I am here. And that I will always be here, to listen; and to support you; and for you to know that you are heard.

“I can’t make those Anxious Feelings go away, not really.

“But I can promise you that, all the time I have breath left in my body…you won’t ever need to feel those Anxious Feelings alone.”

And it was a strange thing, because even as Piglet said that, Pooh could feel some of those Anxious Feelings start to loosen their grip on him and could feel one or two of them start to slither away into the forest, cowed by his friend, who sat there stolidly next to him.

Pooh thought he had never been more grateful to have Piglet in his life.

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