Vellichor

Isn’t that a beautiful word? Want to know what it means? Do you think you know how to pronounce it?

Pronunciation is easy: velly – core. And it means this:

“The pensive nostalgia and temporality of used bookstores; the feeling evoked by the scent of old books or paper.”

https://en.wiktionary.org/wiki/vellichor

This word and its definition triggered a thousand pleasant memories. Of the library at the University of New Brunswick – my first alma mater. Of wonderful old bookstores I would saunter through in Toronto or London, England. There were many smaller and obscure bookstores I would happen upon in my travels that evoked similar feelings.

The feelings evoked by the ambience and smell were always the same. Comfort. Coziness. Class and certainty. Books that were old enough to emit that odor had obviously been around a while. That spoke to their longevity and value.

Vellichor is as much an emotional response as much as anything else. It evokes the Zeitgeist of a slower and simpler time. I could spend a full afternoon wandering from one section to another in a bookstore or library in search of nothing in particular.

Bookstores and libraries are designed for browsing and browse I did. For hours on end. I fear its’ passing.

“Big box” bookstores have subsumed countless numbers of small “Mom and Pop” bookstores. Indeed, that very phenomenon was the plot line (along with the eventual romantic hookup between Meg Ryan and Tom Hanks) in the 90s hit movie, You’ve Got Mail.

Ryan owned a small children’s bookstore she inherited from her mother called The Shop Around the Corner. Hanks played the “villain” Joe Fox whose family owned business was mega bookstores. (Think Chapters, and Barnes & Noble, etc.) The two unbeknown to each other business rivals meet online and strike up a romance not knowing each other’s true identities.

And that is the plot wrinkle that the movie revolves around. Two business rivals with widely divergent business philosophies. Spoiler alert: Ryan finally decides to sell the shop as the new Fox Bookstore crushes her sales. Love wins out in the end. (Why else make the movie?)

But I bet Fox Books didn’t have the vellichor of The Shop Around the Corner. That quality cannot be bought or sold. Like fine wine or delicate soft cheeses, the aroma of fusty old books must gestate and develop slowly.

Another wonderful book turned movie along the same lines was 84, Charing Cross Road. That plot centers around a twenty year correspondence between US author Helene Hanff and UK resident Frank Doel, chief buyer of Marks & Co antiquarian booksellers, located at the eponymous address in London, England.

The film featured Anne Bancroft and Anthony Hopkins with a sweet and simple tale of a long friendship that unfolds in letters based on the writers’ mutual love and respect for books.

A reviewer notes how much The Guernsey Literary and Potato Peel Pie Society, a novel comprised of only letters between the characters, owes to 84, Charing Cross Road. Each book (which later became movies) ooze simplicity and charm for what I fear is becoming a bygone era.

I’m not sure anyone even has the time and patience for that type of correspondence anymore. In a world where children are no longer even taught cursive writing, it is hard to imagine that era will come again. It is a great cultural and experiential loss.

Musty libraries and bookstores account for some on my happiest memories. I didn’t have a word to describe what it was about them that I loved so much before. Now I do. Vellichor.

Wherever and whenever I find it still exists, I shall deliberately seek it out. Like a muzzled wild boar seeking out truffles. The comparison may not be particularly flattering at first glance but the urgency and intensity of the hunt is completely in synch.

Books are an addiction I have for which I have no intention of seeking a cure.

Crabbing About Cursive

I subscribe to very few websites. Many are fitness or health-related. Others are full of inspiring quotes from towering historical figures. And this one.

WordGenius. https://www.wordgenius.com/

I am a subscriber because words are its subject matter and I love words. This website manages to push out a new word every day that I have never heard of before.

I apologize if that sounds arrogant. I know a lot of words. But it turns out I don’t know every word, as WordGenius makes abundantly clear with its daily delivery to my Inbox.

It is nice to find myself regularly surprised by what I don’t know (only about words and writing, of course. There is tons I don’t know about nuclear physics or astral projection.)

An article on Cursive Writing showed up in my inbox along with the regular Word of the Day post (Deedy for those who might be interested. Fittingly it means someone who gets a lot of deeds done. Who knew?)

I am among those who grieve the denouement of handwriting. It has become a lost art. Like many lost arts (tatting, common decency, moonshining, manners), we are collectively poorer.

I had a real-life lesson in abandoning cursive. I attended a post-graduate program some years back at uni. I decided to take notes only on my computer. Big mistake. Handwriting experts agree that the mind better learns when what you hear is written down. Something about the positive connection between hearing and writing.

My daughter once came to me as a very little girl and asked me if I would teach her what I was doing: “Can you show me how to do that curly writing?” I know she learned cursive as she was at the tail-end of a generation that learned it but now seems to have abandoned it.

So I will let the WordGenius folks make the argument for cursive and the importance of keeping handwriting alive. It is both creative endeavor and an enhancement of learning. Remember the importance of handwriting analysis to identify and formulate conclusions about the character of the writer.

While cursive is now out of fashion, I put my faith in the pendulum swinging back to a place where it is valued and widely used again.

I will reverse the order of the article to share WordGenius‘ take on the importance of handwriting. The more interested and ambitious readers can read to the end to learn about the history of cursive writing. More there than I ever knew about.

Does Anyone Still Use Cursive?

  • Cursive writing has been used less and less since the 1980s. Quite simply, since computers became the new big thing, people don’t write as much by hand. Grade schools teach computer skills instead of penmanship. So is there still a use for cursive? Absolutely! Handwriting helps us remember. This goes for all handwriting, not just cursive. The Wall Street Journal says that actively forming letters with pen and paper reinforces language concepts and helps the brain remember. It’s a lot more effective than just reading and memorizing, especially for kids. That’s why so many teachers stress taking notes by hand — they know that many students who put pen to paper tend to remember concepts better. And no matter how many digital devices you have, you’ll need to use writing utensils at some point. Maybe you need to scribble a note or mark something in a book. Maybe your phone died, and you can’t type an appointment into your calendar. Technology is good, but it’s not omnipotent. Instead of sloppy chicken-scratch, take some pride in your penmanship. Start reviving the lost art of cursive today.

Gratuitous Information for word nerds “About the History of Cursive” from the good people at WordGenius.com

As with many thousands-of-years-old practices, cursive writing was more of a collective effort than something we can attribute to one person. It goes as far back as the Roman Empire, after written language first developed.

Square capitals were used on inscriptions on buildings and monuments (some of which are still standing), but cursive (or script) was used for daily writing. Scripts and styles have changed since the fifth century. In the eighth century, monks created the Carolingian script — the earliest form of standardized cursive that others built upon. This script evolved during medieval times, and its twists and curls became harder to read before the Renaissance revived the Carolingian way.

The earliest form of cursive you probably recognize is called Copperplate. Calligrapher Timothy Matlack penned Thomas Jefferson’s words on the original copy of the Declaration of Independence using the Copperplate script. While beautiful, this fancy calligraphy just wasn’t practical for everyday writing.

A teacher named Platt Rogers Spencer developed a new form of penmanship around the mid-1800s. He came up with the name “chirythmography,” from the Greek words for “timed handwriting.” He used a metronome for writers to keep pace with his elliptical letters, which he claimed were inspired by nature.

The “Spencerian” method was taught in schools for the latter half of the 19th century. Quick-working clerks and telegraph operators translating Morse code into script found the Spencer cursive still too time-consuming.

Next up: Austin Palmer and the Palmer Method. His idea was to make cursive writing more practical and lose the fancy flourishes from the Renaissance days. This form of script was very popular in the early 20th century and can probably be seen in old letters from your great and great-great-grandparents.

Penmanship started to become big business. It was taught in grade schools, and adults entering the business world got a leg up if they completed a course in a penmanship school. The Zanerian College of Penmanship became the Zaner-Bloser Company, selling handwriting instruction material to schools.

(Fun fact: Still around today, Zaner-Bloser, Inc., publishes Highlights for Children magazine.)The Zaner-Bloser cursive and the later D’Nealian cursive are the simple scripts that were taught in grade school for the second half of the 20th century.